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The New Yorker

The Paperboy’s Secret Taiye Selasi on How to Survive Perfectionism Taiye Selasi Reads “Firstborn Immigrant Daughter” Restaurant Review: Ambassadors Clubhouse The Expansive Joy of Mao Ishikawa Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame? When the Religious Right Came for Martin Scorsese Play Shuffalo: Saturday, May 30, 2026 The Knicks: The Only Game in Town Why “Yesteryear” Is Everywhere Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska Daily Cartoon: Friday, May 29th The Mini Crossword: Friday, May 29, 2026 “Hacks” Gave Us an Odd Couple for the Ages Inside Lebanon’s Fraught Push to Disarm Hezbollah Should You Automate Your Life? “Greater New York” Takes the Pulse of the City Postscript: Donald Newhouse Play Shuffalo: Friday, May 29, 2026 “Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song Donald Trump Gets Even Attack of the “Flesh-Eating” Bacteria Taking Children from Their Parents Without a Court Order The Stories That TV Tells About Online Sex Work Daily Cartoon: Thursday, May 28th Play Shuffalo: Thursday, May 28, 2026 We Found Amelia Earhart, but She Cut Her Bangs, So We Didn’t Recognize Her The Mini Crossword: Thursday, May 28, 2026 All the Films in Competition at Cannes 2026, Ranked from Best to Worst A Prison Escape in Georgia The Whiplash of the U.S.-Iran Peace Talks Julia Alvarez Reads Judy Page Heitzman Daily Cartoon: Wednesday, May 27th What the Pope Said About A.I. Play Shuffalo: Wednesday, May 27, 2026 Everlane and the Death of the “Good” Millennial Life-Style Brand The Crossword: Wednesday, May 27, 2026 Hollywood Comes to Jesus The Kids Are Not All Right at Cannes The Revolutionary Force of Sonny Rollins The Epic Disaster of Operation Epic Fury Daily Cartoon: Tuesday, May 26th Ken Paxton Wins the Senate Republican Primary Runoff in Texas The Despair of the Professor in the Age of A.I. I Am a Woman in My Thirties, and I Am Thriving Play Shuffalo: Tuesday, May 26, 2026 The Crossword: Tuesday, May 26, 2026 How a Small-Town Clerk’s Misdeeds Upturned the Murdaugh Verdict Ken Paxton Wins the Senate Republican Primary Runoff in Texas Why Any Plausible Iran Deal Is a Humiliation for Trump Play Shuffalo: Monday, May 25, 2026 “What I Saw,” by Matthew Dickman Mark Ulriksen’s “Kings of New York” “This Vast Enterprise: A New History of Lewis & Clark,” Reviewed “Ecologies of Perception,” by Terrance Hayes Slide Show: New Yorker Cartoons June 1, 2026 The Useless Beauty of Christo and Jeanne-Claude A Vindication of the Rights of L.L.M.s The Trump-Epstein Files: Look but Don’t Touch Mariska Hargitay Trades Her Badge for Confetti Can Anything Stop Donald Trump’s Corruption? Play Laugh Lines No. 73: Funerals The Crossword: Monday, May 25, 2026 Daily Cartoon: Monday, May 25th How “The Chosen” Spurred a Golden Age of Christian Filmmaking What Dogs See When They Look at Us How Problematic Is Patriotism? The Ukrainian Stunt Pilot Hunting Russian Drones How Trump Created a Slush Fund for His Allies Ayşegül Savaş Reads “Many Worlds” “Many Worlds,” by Ayşegül Savaş The Leader of NASA’s Artemis II Mission Is Still Moonstruck How Prepared Are We for a Public-Health Emergency? Play Shuffalo: Sunday, May 24, 2026 Ayşegül Savaş on Smugness and Creativity Restaurant Review: Cote 550 The Transformation of Elina Svitolina What’s Missing from Belle Burden’s “Strangers” What Jack Kerouac Left Behind The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies How Raghu Rai Captured an India in Transition Is the Working Class Finally Turning on Trump? Play Shuffalo: Saturday, May 23, 2026 Is Washington Up to the Challenge of A.I.? A Funeral for Stephen Colbert’s “Late Show” Dana White Thinks Everyone’s a Fighter A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency Daily Cartoon: Friday, May 22nd Summer Culture Preview “I Love Boosters,” Reviewed: A Socialist-Surrealist Shoplifting Fantasy Play Shuffalo: Friday, May 22, 2026 How Good Is This World Cup Squad, Really? The Mini Crossword: Friday, May 22, 2026 Why Is It So Hard to Be Ordinary? Will College Soon Be Obsolete? Singing the Knicks’ Praises, with a Dash of Metal Daily Cartoon: Thursday, May 21st Play Shuffalo: Thursday, May 21, 2026 Updated Birdsong Mnemonics for Donald Trump’s America Daily Cartoon Slide Show
Dusty Baker Plays the Long Game
Charles Bethea · 2026-06-01 · via The New Yorker

The baseball legend Dusty Baker, who once wanted to be a journalist, has always had a knack for being in the right place at the right time. Age nineteen: Baker spots Jimi Hendrix on the streets of San Francisco, and the two share a joint. In his twenties: stands in the batter’s box as his Atlanta Braves teammate Hank Aaron hits his seven-hundred-and-fifteenth homer. Thirties: takes cover in Candlestick Park when the World Series earthquake strikes. Fifties: manages Barry Bonds when Bonds hits his seventy-third single-season homer. Sixties: manages Max Scherzer when Scherzer throws twenty strikeouts in an outing. Not that Baker merely beheld greatness. In 2022, four decades after winning the World Series as a Dodger outfielder, Baker, at seventy-three, became the oldest manager to win it. The toothpick he chewed that day in the Astros dugout is now in Cooperstown, and Baker may soon follow.

His citation in the National Baseball Hall of Fame would likely mention another accomplishment—co-inventing the high five with Glenn Burke—which Baker plays down in “Crossroads,” his new memoir. “I just reached my hand up and hit his hand,” Baker writes. “I just reacted to Glenn.” Burke, a Dodgers teammate, had provided the setup for the pioneering hand slap, a spontaneous response to a homer that Baker hit in 1977.

“It just seemed like the natural thing to do,” Baker added, the other day, during a conversation at his Spanish Revival house, near Sacramento, California. His mustache is graying, but his eyes remain mischievous. He had the Knicks-Cavs series on TV, next to a wall lined with guitars signed by John Lee Hooker, Carlos Santana, B. B. King, Tom Petty, Buddy Guy, and, he said, “Elvin Bishop, my fishing partner.” Takeout from Visconti’s Ristorante waited on the counter. Baker sprawled across a leather couch. Basketball is his favorite game to play and watch, and he was rooting for the Knicks—mostly because their coach, Mike Brown, once coached the Sacramento Kings. “I’m more amazed by basketball,” Baker said, comparing it with baseball. “The best athletes play basketball and football now. But, come on, you telling me Nikola Jokić couldn’t be a pitcher? Allen Iverson couldn’t play shortstop? It’s, like, Dude!”

The last time Baker managed a pro club was in 2023, with Houston. But he surmised that he would return to the dugout—“if I could manage half the games for all the salary.” He always managed more by feel than by analytics. “You spend enough time hanging out around baseball, you feel the game,” he said.

Child stands beside parents bed while parents hold books.

“I had a horrible dream that you read all the good books and read me the boring books just to put me to sleep.”

Cartoon by P. C. Vey

Baker likes hanging out. He calls it a “lost art.” He suggested hanging out in the Sacramento sun. Walking outside, he passed his pointers, Gracie and Rylie, barking in a pen. Nearby was a freshly dug mole hole. “Fucker,” Baker said, of the pest. “I gotta put some smoke bombs out here tomorrow.” He motioned toward two stone turtles (“sign of long life”) and a pool fed by a waterfall made from rocks delivered to him, he explained, by “some hippies who said the rocks whispered to them.”

There was also a rose garden dedicated to his father, plum trees, boxes planted with onions, a few rows of Syrah grapes, and seats plucked from five baseball stadiums sitting beside a batting cage used by his son, Darren, a second baseman in the minors. He arrived at a chunk of Sierra gray granite, about four feet tall. Benches surrounded it. “This is my Dobie Gillis Think Rock,” Baker explained. “Dobie was this dude that was a beatnik in this sitcom when I was a kid. That was before the hippies.” In the credits, Dobie posed by Rodin’s “The Thinker.” “I put it here when I built my house,” Baker said. “It changes colors with the sun. It changes with the rain.”

He touched the warm rock. “Dude, that’s what it’s about,” he said. “Energy. There are points on earth I’ve found that are points of energy—Mexico, Venezuela, Hawaii, Montana.” In the memoir, Baker notes that he once tried mescaline and hated it. He once tried mushrooms as well (“you laugh a lot”) and uses weed on occasion, although he said that he’ll never try gummies again. “One gummy wasn’t doing nothing, so I took another,” he recalled. “I was out of control.”

Hanging out, as Baker defines it, means that “you don’t have any time or place. You’re just kind of there, wherever you are.” He lingered with his hand on his think rock. “It’s like Satchel Paige said, ‘Sometimes I sits and thinks, and sometimes I just sits.’ ” Paige, an early mentor to Baker, always called him Daffy. Baker never knew exactly why. He ambled off toward some plum trees, stooping to pull a few weeds. He plucked a plum from a branch and took a bite. “Almost there,” he said. ♦