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The New Yorker

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Power Play: Behind the Music of “Heated Rivalry”
Zoe Si · 2026-06-12 · via The New Yorker

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The show’s creator, Jacob Tierney, on his sonic past and future.

“Heated Rivalry” is a wildly popular television show—based on a series of books by Rachel Reid—about two young, closeted hockey stars who fall in love. It’s written and directed by Jacob Tierney.

Man and woman sitting on couch watching TV TV screen displaying face off in scene from “Heated Rivalry.”

Naomi Fry has noted, in this magazine, that “to talk about ‘Heated Rivalry’ is to talk about the sex in ‘Heated Rivalry,’ which is plentiful, quite explicit, and, I’ll say it, pretty hot.”

Two shirtless hockey players embracing.

But what struck me just as much as the steamy love scenes was the show’s soundtrack—an eclectic assortment of songs that spotlight independent Canadian artists, paired with an original score by the Quebec singer-songwriter Peter Peter.

Kissing scene from “Heated Rivalry” and woman crying and reacting to show.

The soundtrack has been the subject of exhaustive analysis among fans and the show’s success has relaunched bands into renewed stardom. Musicians are clamoring to be featured in the next season, per Tierney, with whom I chatted at the home of his writing partner, Michael Goldbach, on a quiet street in Toronto’s Trinity-Bellwoods neighborhood. Tierney wore a red hoodie and jeans, and had a scruffy beard and tousled, bleached-blond hair.

Spotify listener count. Jacob Tierney looking at his phone and showing Zoe.

Jacob's hand holding phone displaying redacted texts. Jacob and Zoe listening to music from a laptop.

Down the hall, in the living room, was a makeshift writer’s room for Season 2 of “Heated Rivalry.”

Tierney Michael Goldbach and Zoe looking at board of songs in writers room.

Tierney was born in Montreal and began his career as a child actor at age six, working out of Montreal, Toronto, and Los Angeles.

Scene from “Watatatow” depicting two boys sitting on couch.

He has always written scripts to a playlist and often asks the artists he listens to on repeat to write music for his projects. This includes Malajube, who scored Tierney’s 2009 film “The Trotsky,” and Peter Peter. At the time, they were both up-and-coming Montreal musicians who had never written music for TV or movies.

Tierney showing his Apple Music Replay on his phone and listening to music on a laptop.

Tierney previously co-wrote and directed “Letterkenny” and directed the first two seasons of its spinoff, “Shoresy.” These shows featured a similar Canadian musical backdrop, curated with Tierney’s collaborator Jared Keeso.

Scene from ”Shorsey” depicting a woman and man dancing.

Over time, the pair learned to pick the songs they wanted before shooting began.

Tierney talking. Laptop playing music.

It’s convenient that songs by independent Canadian bands tend to be cheaper, but, in reality, Tierney chooses the music because it’s just what he likes.

Tierney speaking. People outside of Bourbon Street North. Sarah McLachlan performing with Blue Rodeo.

Moment from YouTube video of Wilco performance. Young Tierney listening to music with headphones.

His Apple Music Replay paints a wider picture.

Tierney speaking and part of list of his mostlistenedto artists.

Young Tierney at concert in L.A.

“Heated Rivalry” crew posed for a photograph. Stephen Frears directing scenes from “Dangerous Liaisons” and “My...

“Heated Rivalry” doesn’t just feature a lot of Canadian music—it’s a Canadian story, through and through.

Character Shane listening to someone talking on the phone.

Tierney speaking. Phone displaying “Heated Rivalry” audiobook. Phone displaying messages between Tierney and Rachel Reid.

I can’t remember the last time that a TV show permeated so many aspects of my life.

Women walking in Toronto. Promotional poster for a “Heated Rivalry” dance party.

Woman looking at promotional poster for “Heated Rivalry” in the Toronto Pearson Airport. Tierney working at laptop.

So, what is he listening to now?

Tierney playing music from his phone.

Zoe Si has been contributing cartoons and articles to The New Yorker since 2020. In 2022, she was a finalist for the Pulitzer Prize in illustrated reporting and commentary.