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The New Yorker

The Paperboy’s Secret Taiye Selasi on How to Survive Perfectionism Taiye Selasi Reads “Firstborn Immigrant Daughter” Restaurant Review: Ambassadors Clubhouse “Obsession” and “Backrooms” Movie Review The Expansive Joy of Mao Ishikawa Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame? When the Religious Right Came for Martin Scorsese Play Shuffalo: Saturday, May 30, 2026 The Knicks: The Only Game in Town Why “Yesteryear” Is Everywhere Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska Daily Cartoon: Friday, May 29th The Mini Crossword: Friday, May 29, 2026 “Hacks” Gave Us an Odd Couple for the Ages Inside Lebanon’s Fraught Push to Disarm Hezbollah Should You Automate Your Life? “Greater New York” Takes the Pulse of the City Postscript: Donald Newhouse Play Shuffalo: Friday, May 29, 2026 “Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song Donald Trump Gets Even Attack of the “Flesh-Eating” Bacteria Taking Children from Their Parents Without a Court Order The Stories That TV Tells About Online Sex Work Daily Cartoon: Thursday, May 28th Play Shuffalo: Thursday, May 28, 2026 We Found Amelia Earhart, but She Cut Her Bangs, So We Didn’t Recognize Her The Mini Crossword: Thursday, May 28, 2026 All the Films in Competition at Cannes 2026, Ranked from Best to Worst A Prison Escape in Georgia The Whiplash of the U.S.-Iran Peace Talks Julia Alvarez Reads Judy Page Heitzman Daily Cartoon: Wednesday, May 27th What the Pope Said About A.I. Play Shuffalo: Wednesday, May 27, 2026 Everlane and the Death of the “Good” Millennial Life-Style Brand The Crossword: Wednesday, May 27, 2026 Hollywood Comes to Jesus The Kids Are Not All Right at Cannes The Revolutionary Force of Sonny Rollins The Epic Disaster of Operation Epic Fury Daily Cartoon: Tuesday, May 26th Ken Paxton Wins the Senate Republican Primary Runoff in Texas The Despair of the Professor in the Age of A.I. I Am a Woman in My Thirties, and I Am Thriving Play Shuffalo: Tuesday, May 26, 2026 The Crossword: Tuesday, May 26, 2026 How a Small-Town Clerk’s Misdeeds Upturned the Murdaugh Verdict Ken Paxton Wins the Senate Republican Primary Runoff in Texas Why Any Plausible Iran Deal Is a Humiliation for Trump Play Shuffalo: Monday, May 25, 2026 “What I Saw,” by Matthew Dickman Mark Ulriksen’s “Kings of New York” “This Vast Enterprise: A New History of Lewis & Clark,” Reviewed “Ecologies of Perception,” by Terrance Hayes Slide Show: New Yorker Cartoons June 1, 2026 The Useless Beauty of Christo and Jeanne-Claude A Vindication of the Rights of L.L.M.s The Trump-Epstein Files: Look but Don’t Touch Mariska Hargitay Trades Her Badge for Confetti Can Anything Stop Donald Trump’s Corruption? Play Laugh Lines No. 73: Funerals The Crossword: Monday, May 25, 2026 Daily Cartoon: Monday, May 25th How “The Chosen” Spurred a Golden Age of Christian Filmmaking What Dogs See When They Look at Us How Problematic Is Patriotism? The Ukrainian Stunt Pilot Hunting Russian Drones How Trump Created a Slush Fund for His Allies Ayşegül Savaş Reads “Many Worlds” “Many Worlds,” by Ayşegül Savaş The Leader of NASA’s Artemis II Mission Is Still Moonstruck How Prepared Are We for a Public-Health Emergency? Play Shuffalo: Sunday, May 24, 2026 Ayşegül Savaş on Smugness and Creativity Restaurant Review: Cote 550 What’s Missing from Belle Burden’s “Strangers” What Jack Kerouac Left Behind The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies How Raghu Rai Captured an India in Transition Is the Working Class Finally Turning on Trump? Play Shuffalo: Saturday, May 23, 2026 Is Washington Up to the Challenge of A.I.? A Funeral for Stephen Colbert’s “Late Show” Dana White Thinks Everyone’s a Fighter A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency Daily Cartoon: Friday, May 22nd Summer Culture Preview “I Love Boosters,” Reviewed: A Socialist-Surrealist Shoplifting Fantasy Play Shuffalo: Friday, May 22, 2026 How Good Is This World Cup Squad, Really? The Mini Crossword: Friday, May 22, 2026 Why Is It So Hard to Be Ordinary? Will College Soon Be Obsolete? Singing the Knicks’ Praises, with a Dash of Metal Daily Cartoon: Thursday, May 21st Play Shuffalo: Thursday, May 21, 2026 Updated Birdsong Mnemonics for Donald Trump’s America Daily Cartoon Slide Show
The Transformation of Elina Svitolina
Louisa Thomas · 2026-05-24 · via The New Yorker

Sometimes it is hard for Elina Svitolina to find the motivation to get on a tennis court. She wakes up and checks the news from Ukraine, and she sees that Odesa, where she was born, has been bombed, or that another swath of Kharkiv—the city where she turned herself into the greatest player Ukraine has ever produced, and which is just miles from the Russian front—is in rubble. She thinks about her grandmother, who still lives in Odesa, and worries about the rest of her family and her friends who have been under siege for four years. So Svitolina takes inspiration where she can: in the idea that her grandmother will be following her match that night, or in the awareness that she represents her country and that Ukrainians need something to cheer for. Sometimes she reaches for something closer. She FaceTimes with her three-year-old daughter, Skaï, who stays back home in Switzerland, where she attends preschool, and Skaï tells her to “win against the lady.” She looks forward to calling Skaï the next morning and saying that she did it, she won.

Lately, she has been beating a lot of the ladies. In early May, she won a tournament in Rome, beating three of the top four women—Elena Rybakina, Iga Świątek, and Coco Gauff, all former Grand Slam winners—along the way. Now ranked No. 7 in the world, she has defeated all the players ranked above her at least once. And she’s a contender to win the French Open, which begins today. But she told me that she was not thinking about the title when we spoke last week, the day before she left for Paris. She was focussed on recovering, physically and mentally, from the exhausting two weeks in Rome, which had required her maximum effort. Then, as the adrenaline began to kick in, she would focus on her first match, which, by a cruel quirk of the draw, would be against the Hungarian Anna Bondar, who is something of a nightmare opponent for Svitolina, having beaten her at the U.S. Open last year and again in Madrid only a few weeks ago. If Svitolina does make it past Bondar, she’ll think about the second round, and if she wins that match, then she’ll worry about the match after that, and so on.

Every player says some version of this—one match at a time!—but Svitolina says it a little differently. It’s not a matter of protecting herself, psychologically, from the burden of expectations but, rather, of making space for them. Her time is valuable, and she does not want to waste it. Every moment requires her fresh attention.

When she was younger—before she married the talented, charismatic French player Gael Monfils, before she left the tour for a time to have a baby, before her homeland was invaded—she was focussed on trophies. She wanted them, and wanted them fast. “Results, results, results,” as she put it to me. And her results were good: she won that title in Rome twice; won the World Tour Finals, which is contested by the top players of the year; and made her way toward the top of the game, peaking at No. 3. But she was another player back then, almost another person, perhaps; a fighter, still, but of a different type. She was a defensive-minded counterpuncher, fast and athletic but something of a grinder. Reliability and consistency were her hallmarks—admirable qualities, but unexciting. A powerful player could blow her off the court.

Then she married Monfils, who is famous for his shotmaking and beloved on the tour. Russia invaded Ukraine, and, eight months later, Svitolina and Monfils had Skaï. When she returned to tennis, less than six months after Skaï was born, she seemed galvanized. She had a platform and a purpose—and, strikingly, a new playing style. She had seen that the game had evolved. “It’s more about who takes the earlier opportunities,” she told me. To keep up, and to move ahead, she needed bigger groundstrokes, an attacking forehand. She needed to be more efficient. The shift was partly born out of necessity, she told me. Now thirty-one years old, she still has élite speed, but she knows she can’t run as well as she could when she was twenty. She has to shorten points. “Of course, it’s not always possible to do it in the best possible way, but I’m really trying to force myself to be really brave on some decisions,” she said. “Sometimes it pays off, sometimes it doesn’t.”