Derrick Gee has an ear for music — and he knows how audiences want to engage with artists and tastemakers.
Gee started posting music commentary in 2022 and has since amassed 777,000 followers on Instagram, 437,800 followers on TikTok, and 147,000 subscribers on YouTube. A self-proclaimed "professional music fan," Gee is known for his thoughtful yet engaging commentary on all things across music, the music industry, and digital culture.
He’s interviewed prominent artists such as PinkPantheress, Lorde, Jamie xx, and, most recently, Thundercat in his Solid Air series. Gee's interview format isn't your typical Q&A: He invites artists to play their favorite songs at his home, creating an intimate yet relatable experience for fans.
Gee is a tastemaker himself. He’s had over a decade of experience in the music industry, starting with a weekly independent radio show in 2012 before working with music streaming platform Mixcloud in London and U.S. record label 88rising. In addition to posting music commentary across Instagram, TikTok, and YouTube, Gee also runs a Substack blog and hosts a podcast, Speaks Volumes With Derrick Gee, on Spotify. In his podcast, he leads in-depth discussions about music with other tastemakers, including producers, designers, and others.
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Gee's work across all his online platforms has one thing in common: He makes music accessible to a wide range of audiences. There’s something for everyone across musical and industry interests, and Gee lends an unpretentious authority on all fronts.
It looks like 2026 has been off to a solid start for Gee. He just directed and released a documentary on Fred again..'s USB002 tour on May 7.
"Almost 40 minutes of observation, of conversation, of wandering around and looking under the giant meteorite that is Fred again..'s impressive 10 shows in 10 weeks odyssey," said Gee. "It takes time, but it values your time, I hope."
Gee's platform is a love letter to music, and his genuine passion is what keeps viewers engaged and coming back for more. We're excited to see how he continues to take music commentary to new heights in 2026.
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