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Countdown is on to British Science Festival in Southampton Insight into action – exploring the Public Attitudes to Science Survey Celebrating British Science Week 6-15 March 2026 British Science Association selected as the future host of EDIS APPG on Diversity & Inclusion in STEM launches new project on AI equity Smashing Stereotypes is back for British Science Week 2026 Guest blog: Community Led Research Pilot, funder’s reflections Public Attitudes to Science Survey shows the public values science, but highlights concerns over AI, quality of information, and representation Sir Roland Jackson Putting communities in the driving seat: report explores impact of participatory research Dr Alex Lathbridge and Karen Blake MBE named British Science Association Honorary Fellows 2025: Our past year, wrapped A-Level student builds highly-accurate budget Sign-Language-to-speech wrist technology A cautious welcome for key recommendations in Curriculum and Assessment Review Confidence and support to teach science has fallen, primary education report suggests 'It’s through change that science progresses’: Disabled staff in science and medicine lead action for equity Reflections on the British Science Festival in Liverpool Julia King, Baroness Brown of Cambridge's presidential address Report highlights disconnect between data collection and action on EDI in UK science and tech sector CREST website upgraded to transform STEM learning and empower educators across the UK Robo-chemists, eye-trackers and a VR fishing boat: the last day of the British Science Festival 2025 Phages, geophonics and prosthetics: the fourth day of British Science Festival 2025 Whale song, urban farming and science comedy: the third day of the British Science Festival 2025 Climate solutions, pioneering women and particle detectors: the second day of the British Science Festival 2025 Chatbots, ghost particles and neurodiversity: the first day of the British Science Festival 2025 Supporting inclusive entrepreneurship and innovation among and through micro, small and medium sized enterprises (M-SMEs) CREST Awards now free for all young people in Scotland The power of plants: eight events to dig into at this year’s British Science Festival Five health and humanity highlights from this year’s British Science Festival Exploring the wonders of space: five unmissable British Science Festival events ‘Early and meaningful’ public involvement in shaping engineering biology research and policy vital What's it like to work at the British Science Festival as an Evaluations Assistant? 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Welcome to the world of artoscopy
2016-09-08 · via British Science Association

Rob Kesseler, president of the Arts and science section, creates beautifully detailed microscope images. But what did a scientist who spends her days looking down a microscope, make of his work? Media Fellow Petra Szilagyi describes her reaction to his talk at the British Science Festival.

Thinking back on my first microscopy sessions, I remember most vividly those pictures on the wall showing the microscopy images, or micrographs, of insects and trivial object such as a piece of hair, magnified so much that the original item could no longer be recognised. This is a wonderful and mysterious world, hidden from our eyes and only unlocked by an ultra-high vacuum chamber and a beam of fast electrons bombarding the surface of the object.

Now, as an active electron microscopy user and part-time art lover, I was very excited about being able to attend Rob Kesseler’s talk, Transformations of Nature, at the British Science Festival.

Few can argue that there is a finer creator of beauty than nature. For me, an exciting part of science is exploring and understanding this beauty. Kesseler, a professor at the University of the Arts London, brings together the best of both worlds: attention to detail and accuracy; with beauty and a desire for creation.


He says “When I started to work with scientists, almost twenty years ago, the words art and science wouldn’t often occur in the same sentence”. Much has changed since, as both scientists and artists are re-discovering a common interest and a common language. In Kesseler’s case, this is inspired and captured by Dürer’s “forensic observation” and meticulous painting in the ‘Great Piece of Turf’ – a detailed painting of an apparently unordered clump of plants. And he is in good company, Rembrandt and Escher (just to name two of my favourites) understood that people need both science and art, and in this sense they are inalienable parts of our lives.

So, what does this bring to science? As scientist, I want my microscopic images to be focussed on a small part of an object in great detail, so to select the part I also look at the object as a whole in less detail – you can either get a lot of the object, or a lot of detail. Kesseler on the other hand, wants images of the whole of the objects and in high resolution. This takes a lot of time! Some of the images Kesseler showed took over 100 hours to image and clear up, I seriously doubt that any scientist would spend this much time.

Ref: Fig wasp. Image from Fruit, edible, inedible & incredible. Stuppy & Kesseler. Publ. PapadakisBut sometimes this kind of devotion comes with a huge reward. He showed an image of a small fig cut in half, with the pollen grains visible inside it. For a fig plant to reproduce, it needs a pollinator - the fig wasp. The female wasp lays the eggs inside the fig and when they hatch, the flightless male wasps mate with the female ones and then the male cuts a hole for the female to escape through the skin before he dies. The female departs taking the pollen with her. Kesseler’s images reveal the pollen stuck on the hairs of the female wasp in high resolution, delighting our eyes and enhancing our understanding on the lives of these creatures.

If there is a clear benefit to science, what about art? Kesseler got involved in using electron microscopy through writing to scores of scientists, asking whether they would collaborate. He had one reply from Madeline Harley, the head of research of palynology or pollen science, at Kew gardens. She had also worked as an interior designer, so she recognised the visual quality of microscope images. Although she thought there would be no public interest in these works, Kesseler thought otherwiseIn the past 14 years his books co-written with Madeline Harley and Wolfgang Stuppy have sold over 165,000 copies world-wide in 8 languages. I think this is proof enough that the public loves these works, he jokes “This is my dispersal, the books are my dispersal”.

So, as an audience, what does this work bring to us? Kesseler’s works capture our imagination (in my case they rather hijack it) by imaging and transforming the miniature.

Dr Petra Szilagyi is an Axa Media Fellow, placed at Nature News. She is a Senior Lecturer at the Department of Pharmaceutical, Chemical & Environmental Sciences at the University of Greenwich.

Images from top:

  • Banner: Scabiosa cretica. Credit Rob Kesseler
  • Right image: Great Piece of Turf. Albrecht Dürer.
  • Left image: Fig wasp. Image from Fruit, edible, inedible & incredible. Stuppy & Kesseler. Publ. Papadakis