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What’s the best platform to record and edit your podcast – let’s take a look at GarageBand vs Audacity! We’ll break down the pros and cons of each platform, explain their respective feature sets and help you decide what’s best for you.

GarageBand is Apple’s free Digital Audio Workstation (also known as a DAW), which comes pre-installed on all Apple tech. There’s a version for Mac, iPhone and iPad, as well as iPod if you’re into your retro tech.
It was primarily designed for musicians, allowing them to record and edit at home or on the go (hence GarageBand), but it’s perfect for podcasters, too – you’ll just need to disregard some of the more music-orientated features, which we’ll discuss below.

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Audacity is a free, beginner-level DAW available on all operating systems. It’s simple – it doesn’t have some of the bells and whistles available on paid editors like Descript – but certainly effective for new and veteran podcasters alike.
Like most DAWs, it’s capable of recording and editing, as well as converting from one file type to another.
Both Garageband and Audacity are totally suitable for recording and editing your podcast episodes, however Garageband is only available to you if you’re working on an iOS device. Audacity is cross-platform, though, so you’re able to use that on Windows as well.
Being free, they both lack some of the more specialised features of a paid DAW like Descript or Logic Pro, but they’re popular for a reason: they work really well for beginners.
You can download GarageBand or Audacity to your machine without any payments or subscriptions whatsoever.
Some DAWs (even paid ones) offer only recording or editing – not so with Garageband or Audacity. Both options are a one-stop-shop for all of your digital audio needs.
You can find a plethora of educational content for both platforms online, giving you a helping hand on your journey from editing newbie to seasoned pro.
Garageband and Audacity are both designed with beginners in mind – they have a very user-friendly interface that you’ll pick up after a few uses.
You can record and edit on multiple tracks within the same project on both platforms, making the editing process quick and streamlined.
Of course, both platforms offer the basic editing features you need in a DAW: you can cut, copy and paste, fade in and out, adjust volume and remove sections of imported or recorded files.
Both platforms also offer some cool, more advanced features – things like compression, which makes your vocal tracks louder and more resonant, and background noise removal or reduction.
You’ve got a number of options with regards to which file format to export your project as (we’d strongly recommend mp3, though, as this is pretty much the most widely accepted format). You can also choose the quality you’re exporting in; 192 KBPS is the industry recommended standard for podcasts.
Both platforms allow you to choose whether to record in mono or stereo. Essentially, stereo feeds audio to two separate speakers, left and right, allowing the sound to surround the listener and meaning you can pan certain audio elements to one side or the other. Mono just feeds all the audio to one channel, so all speakers are playing the exact same thing.
GarageBand’s UI is familiar to anyone who’s used an Apple product before. If you’re an iOS native, the lay out and tool functionality will just make sense. Any icons indicate their function immediately, and you’ll be able to get to grips with it all extremely fast.
Any Apple product you buy – whether that’s a Mac, iPhone or iPad, will come with Garageband already installed. All you need to do is open it up!
Importing pre-recorded audio – whether that’s a jingle, interview or advertisement – couldn’t be simpler with Garageband. Just drag and drop your file in and it will automatically place it on a new track. You can of course then easily drag and drop it to other tracks, as with any audio in your project.
Garageband supports MIDI files and tracks, meaning you can import any jingles or musical stings directly – or, conceivably, you could make your own jingle directly in Garageband using a MIDI keyboard or other instrument.
If you make an edit to an imported piece of audio, this doesn’t alter the original file, meaning your edits can be undone nice and easily.
By using the Noise Gate feature, you can reduce and remove unwanted background noise like hissing or buzzing, making your podcast sound far more professional – and your listeners will thank you too.
As GarageBand was designed with musicians in mind, there are a lot of features to ignore – things like tempo, drum tracks and keys are displayed, which are obviously totally irrelevant for podcasters. As a result, the interface could perhaps be a little overwhelming to a first-timer, though this sensation won’t last long.
It’s important to switch off the metronome, which is enabled as standard – if you leave this on, you’ll have a click track in the background of your episodes.
If you’re not using an Apple device, you simply can’t use GarageBand – it’s not available anywhere except iOS.
GarageBand wasn’t designed with remote podcasting in mind, so there’s no option to record remotely like with something like Zoom or Riverside. Only local recording is supported here.
Unlike GarageBand, Audacity is available everywhere – you just need to download it. It’ll work on Windows, Apple and whatever else you could be running!
Like GarageBand, you can just drag and drop an audio file into your Audacity project and it’ll render it and place it on a new track, which you can drag to anywhere else on your project.
Audacity will analyse a sample of your background noise and help you remove it, with some effective granular options for how much noise to remove and where to do it. This really helps your audio come out at a professional quality.
A handy tool, called Loud Normalization, allows you to normalize your audio levels to the industry standard of -16 LUFS – which basically means that your podcast will be at the same volume as other podcasts on directories.
You won’t be able to import MIDI files into Audacity, you’ll have to convert them to a supported format first, like mp3 or wav. You also can’t record MIDI (meaning you couldn’t plug a keyboard into Audacity and play it), so no making your own jingles on the fly.
Like GarageBand, Audacity doesn’t support remote recording. You’ll need something like Riverside or Squadcast for that – you can only record locally in Audacity.
Audacity’s user interface is a little… retro – for a total newbie, it might take a little while to get to grips with it. It doesn’t really look like anything else, so you’ll just have to give it a little time to get familiar.
Both options are good, so it’s not a case of one being a clear “winner” over the other – except in the case that you don’t have an Apple device, where your only choice of the two is Audacity.
If you are on an iOS device and you’ve got a bit of experience with editing anything on iOS before (whether that’s videos, pictures or anything else), GarageBand slightly edges it due to familiarity and ease of UX – it’ll just feel more like second nature to you. Outside of that, they’re both totally valid options, and they’re both free, so you can try them out and see which you prefer!
Audacity and GarageBand are two of the most popular free options for recording and editing podcasts, and both are championed by beginners and veteran podcasters alike.
GarageBand, while designed with musicians in mind, is totally transferable to podcasters too – it’ll feel like home to anyone with any experience using any of Apple’s digital tools before. The biggest drawback is that it’s iOS exclusive – meaning if you’re a windows user, you’re not invited.
Audacity is available cross-platform, meaning Windows and iOS, and it’s simple interface and easy tools make it an attractive option. It boasts a really granular background noise removal tool, too, to get that professional sound.
Both DAWs are really great viable options – try both and see what works for you!

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Ben is a content writer and podcast support expert for Captivate, and has been with the team since 2021. He has a first-class degree in Journalism, and uses these skills to help new and veteran podcasters alike level up their content: reviewing tech, crafting product guides and sharing cutting edge podcasting news. Ben is always on hand to help Captivate podcasters with anything they run into, from when they first import their show to advanced questions like how to grow your audience or where to start with monetization. He loves what he does, and is committed to helping podcasters grow their show using Captivate. He’s always been a podcast fan - current favourites include Steven West’s ‘Philosophize This’ and Bob Mortimer’s ‘Athletico Mince’.
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