PRESS RELEASE
April 6, 2003
Major Upgrade With More Than 300 New Features Including RT Extreme, LiveType, Soundtrack, Compressor & Full 32-bit Floating Point Per Channel Video Processing
NAB, LAS VEGAS—April 6, 2003—Apple® today introduced Final Cut Pro® 4, a major upgrade of Apple’s Emmy award-winning editing software for film, HD, SD and DV. Packed with more than 300 new features, Final Cut Pro 4 introduces RT Extreme, for real-time compositing and effects, powerful new interface customization tools, new high-quality 8- and 10-bit uncompressed formats and for the first time in an editing system costing less than $100,000, full 32-bit floating point per channel video processing. Final Cut Pro 4 also includes three completely new integrated applications—LiveType for advanced titling, Soundtrack for music creation and Compressor for full featured batch transcoding.
LiveType, a unique new titling application available only in Final Cut Pro 4, enables users to create dynamic, animated titles quickly and easily. LiveType includes LiveFonts, a new approach to text animation in which every character of a font is a separate animated movie. With over 8GB of media including LiveFonts, 150 pre-configured effects, customizable templates, backgrounds, animated textures and objects, LiveType enables Final Cut Pro 4 users to develop their own customized look, either from scratch or by modifying existing effects. With support for DV, SD and HD formats, LiveType allows users to quickly and easily create sophisticated, professional-quality animated text and graphic effects.
- advanced trimming and timeline tools such as support for dynamic and asymmetrical trimming, master clips, merged clips and ganged playback controls;
- enhanced media management;
- full support for Unicode;
- enhanced audio editing capabilities such as keyframe thinning, multi-track audio mixing, multi-channel audio output and real-time audio effects; and
- Cinema Tools™, previously sold separately, now included with Final Cut Pro 4 with new support for change lists and ink numbers for filmmakers working with 35mm or 16mm film.





















