惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

钛媒体:引领未来商业与生活新知
钛媒体:引领未来商业与生活新知
WordPress大学
WordPress大学
T
Tailwind CSS Blog
V
Visual Studio Blog
月光博客
月光博客
Hugging Face - Blog
Hugging Face - Blog
小众软件
小众软件
奇客Solidot–传递最新科技情报
奇客Solidot–传递最新科技情报
博客园 - Franky
freeCodeCamp Programming Tutorials: Python, JavaScript, Git & More
Last Week in AI
Last Week in AI
阮一峰的网络日志
阮一峰的网络日志
量子位
有赞技术团队
有赞技术团队
酷 壳 – CoolShell
酷 壳 – CoolShell
Apple Machine Learning Research
Apple Machine Learning Research
博客园_首页
Jina AI
Jina AI
雷峰网
雷峰网
博客园 - 【当耐特】
博客园 - 叶小钗
美团技术团队
宝玉的分享
宝玉的分享
IT之家
IT之家

Forbes - Media

If Netflix’s Ad-Tier Audience Was A Country, It Would Rank Among The Largest On Earth What NFL Fans Need To Know About The DOJ’s Investigation Of The League TikTok's 30 Creators Show FIFA Is Redrawing World Cup Coverage The Devil Wears Prada 2 Has The Leadership Lesson We Need To Hear Now Versant Media Group Shares Rise Following Positive Q1 Earnings Report Dua Lipa v. Samsung: A Masterclass in the “New Rules” of Trademark Litigation Sports Illustrated Is Turning The World Cup Into A 48-Nation Art Project Snap’s Q1 Makes Its AR Glasses Bet Harder To Ignore Netflix Expands Relationship With The NFL, Adds New Games Podcasts Help Brighten iHeart Quarterly Earnings Report Alex Murdaugh Murder Convictions Overturned By State Supreme Court What’s Next For Local Sports As Regional Network Model Crumbles? Netflix Clips Won’t Replace TikTok—But Will Influence Viewers NBCU Leans On Legacy For Upfront: Is This The Future For TV? If Vox Media Sells Its Brands To James Murdoch, Are Digital Media Companies Done? Rue’s Life Hangs In The Balance In ‘Euphoria’ Season 3 Episode 5 Podcasting Has Too Many Awards... And No Way To Stop Them Wordle Is Getting A TV Adaptation On NBC Hosted By Savannah Guthrie What The Latest Media Earnings Blitz Reveals About Hollywood’s Future Why The Preakness TV Deal Could Reshape The Triple Crown AfroAnimation Summit Co-Founder Keith White On Validating Creators Of Color, Loopi, And AI In Animation How Ted Turner Built the Blueprint for Modern Sports Media and Streaming Warner Bros. TV Announces Special Podcast Episodes For “The Pitt” Ted Turner Created A New Media World After Launching CNN Pablo Torre And Team Wins A Pulitzer Prize For Podcast Investigative Reporting NewsNation’s Brian Entin Speaks On ‘The Nancy Guthrie Mystery’ Special Report NewsNation’s Brian Entin Speaks On ‘The Nancy Guthrie Mystery’ Special Report ‘The Devil Wears Prada 2’ Returns To A Media World That No Longer Exists How AI-Generated Music Became A $4 Billion Fraud Machine X Games League Sells Its First Franchises, For New York City
Hollywood Stars And Creators Are Quietly Trading Places
Taylor Reilly · 2026-05-27 · via Forbes - Media
LOS ANGELES, CALIFORNIA - DECEMBER 18: Mr. Fantasy performs onstage during TikTok Awards US 2025 at Hollywood Palladium on December 18, 2025 in Los Angeles, California. (Photo by Kevin Mazur/Getty Images for TikTok)

Mainstream stars are moving toward the creator economy. Creators are moving toward Hollywood. Both are happening at once.

Getty Images for TikTok

The big story in entertainment right now is creators going Hollywood. The bigger story is mainstream talent quietly going the other way.

Curry Barker, the trending 26-year-old YouTuber who shot Obsession for $750,000. The horror film has already grossed $75 million worldwide. A24 has already handed Barker the new Texas Chain Saw Massacre.

In a few days, A24 is releasing Backrooms, the debut of 20-year-old YouTuber Kane Parsons, which is tracking to open above $25 million. If it lands at No. 1, Parsons will become the youngest director ever to top the domestic box office.

Why Actors And Creators Are Swapping Places

Mainstream stars are doing the same thing in reverse, and almost nobody is paying attention.

KJ Apa, an actor known for a leading role in Riverdale, is in the middle of one of the year’s wildest creator-economy stunts. A viral TikTok musician named Mr. Fantasy, who somehow has Apa’s exact tattoos, hit 1 million followers in months. Apa swears it’s not him. He released a video this month accusing Mr. Fantasy of stealing his image. Last week, he was photographed having dinner in West Hollywood with a guy who looked exactly like Mr. Fantasy. The denial is the bit and the bit is the engagement.

Matt Rife took the stand-up pipeline that produced every comedy star of the last 30 years and bolted a content strategy onto it, turning TikTok virality into a stadium tour.

Gabriella Lester is no different. A touring magician, a Magic Castle headliner, and a Penn & Teller: Fool Us alum, she joined the Four Horsemen of Lionsgate's Now You See Me LIVE for its 2025 Sydney Opera House premiere. Her social channels alone are now pulling roughly 100 million views a month.

"There is simply no show or venue in the world that could generate those kinds of numbers," she says. "Even if I performed every single day in the biggest theaters in the world, it still wouldn't be possible."

That isn't traditional reach. It is exactly the asset the rest of mainstream entertainment is quietly trying to build.

What Creators And Hollywood Stars Are Chasing

This isn’t the same story. It's two different groups chasing two different things.

Creators want what Hollywood has spent 100 years engineering. They want institutional legitimacy, distribution, and the brand premiums of prestige formats. Mainstream talent, however, wants what creators have quietly built. They want a direct line to an audience that doesn't require a network, a budget, or a production company.

The crossover isn’t easy in either direction. Josh Zimmerman, CEO of Creator Coach, is the first ICF-certified life coach focused exclusively on creators. For the last nine years, he has worked with both superstar YouTubers and traditional entertainment celebrities, which makes him one of the only people watching both sides of this migration from the same chair.

"Your audience is loyal to you, but how you show up for them is completely different depending on the platform," he says. "And that's the part nobody prepares for."

He sees the same pattern from both sides of the room. Creators crossing into traditional formats hand over the control, voice and vision that built them, distributing ownership among people who now hold a piece of their work. Mainstream talent moving the other way has to figure out who they are on camera with no script and no character to hide behind. That’s a craft foreign to them.

The people making either move work, he says, don’t try to replicate what worked before. They build something new instead. "I built something that worked, I worked incredibly hard to get here, and now I'm starting from zero," is what he hears from both sides, behind closed doors. "Most people aren't ready for how humbling it actually is."

What This Means For Creators And Hollywood

For agencies negotiating on both sides, the deal mechanics are changing fast.

A few years ago, a creator going traditional took a discount. Today, that’s not the case. A mainstream actor launching a creator alias used to be a vanity side project. Now it factors into how brands price their endorsement deals. The surcharge for talent who can deliver both broadcast credibility and direct social reach is real.

The career that emerges from all this doesn’t have a clean industry name yet. Creator, Influencer, Actor — or something new? Right now, it’s a touring magician with 100 million monthly views. It’s a 26-year-old YouTuber being handed a horror franchise. It’s an established actor pretending to be a TikTok pop star.

The fence between Hollywood and the creator economy was useful for a long time, until both sides started climbing over it at the same time.