Lestat’s Origin Story Begins In ‘The Vampire Lestat’ Episode 2

In 1772, Lestat was the stuttering child Louis told Daniel he was. While his father and brothers gorged themselves on food, he sat quietly with his head bowed. They mocked his stuttering when Lestat was forced to address his eldest sibling. But Gabriella, though she was reading, was paying attention to the friar asking the Marquis to grant Lestat permission to study philosophy.

Lestat receiving an education was of no concern to the noble, but his mother declared he would have one by tossing a bauble onto the table to pay for it and insisting that he learn about Italian philosophers.

When he was a teenager, she encouraged his interest in acting. While his father berated him for spending time with a troupe of players instead of bedding a young woman and being done with it, Lestat and Gabriella mockingly repeated, “cabbage,” to one another.

It was their way of referring to the empty lives and heads of their family members. The eldest Lioncourt snatched Gabriella’s book from her hands. In return, she railed against the nothingness that is their existence, berating all but Lestat for the way they live their lives without spirit or purpose.

Lestat continued to say “cabbage” as she spoke. He stuttered through the word one last time after his father dared him to utter it again. At their father’s command, his brothers attacked him. He stabbed the eldest in his side, but it did not stop the attack. Gabriella said and did nothing. With the eldest preoccupied, she picked up her book and began to read again.

Her youngest son looked on as he began to lose consciousness from being choked. Lestat, in his narration, described his mother as having a “cold beauty” and that he “grew hard by example.”

Lestat Becomes The Wolf Killer

This hardness trailed him into his adulthood where the gluttony of his father and brothers had only worsened. His mother, without a book in her hands, sat as the townspeople begged for the Loincourts to intervene in a famine.

At the time, the region was plagued by a wolf pack that had grown so emboldened in their hunting that the Marquis’ tenants feared their children would be next once the livestock had all been picked off. They wanted their liege to provide them with food from his own table, but he wouldn’t hear of it. He said that the wolves would move on.

Gabriella shamed the Lioncourts for their inaction. However, a coughing fit cut her scathing remarks short. Next to her, Lestat had been loading his gun. He pointed it at his brother and his pregnant sister-in-law as his brothers pushed for him to put it down. It was Gabriella who smacked the gun to the table as she continued to cough.

The conversation resumed with the eldest Lioncourt son saying that there was nothing more that can be done. Gabriella bellowed, “But be men,” which prompted Lestat to leave as his dog followed with him.

He’d taken his mother’s words as a challenge. Lestat believed that she meant to kill him with it but that her intent was to see him have a quick end rather than him surrender another decade to their loathsome life. He thought that with the good in him being lost at the monastery and his sense of wonder being abandoned in a traveling player’s wagon that he didn’t have much to live for anyway.

But when the wolves finished with his dog and came after him, Lestat threw himself into a fight for his life and escaped with it. He killed eight wolves, earning the profound allegiance of the Lioncourts’ tenants as well as Gabriella’s admiration and singularly devoted attention.

Gabriella Crosses The Line With Lestat

Prior to his mother coming to his room, Lestat was refusing food and care much to the concern of the maid who wanted to help him. The deep, gashing wounds left behind by the wolves’ claws and teeth had went untreated. He was a broken, bloodied mess on the floor.

In awe of his feat, Gabriella informed her son of the mob waiting to worship him and the shame that bent his father and his brothers. He admitted that what kept him alive during the fight with the wolves was his dream of slaughtering the three of them.

Gabriella shared her own dream. While he dreamt of revenge and freedom through murder, her vision was of bodily autonomy. She explained it to him as she put balm on his wounds. Gabriella saw herself so drunk that she had no reservations stripping and bathing naked in the mountain stream.

She’d then head to town where she would invite any man into her bed at an inn. It wouldn’t matter who they were, how they looked, or whether they were boys. For Gabriella, the point was control over her own body and what to do with it, something she had never had neither as a girl nor a woman. And she would spare no thought to Lestat’s father or brothers.

As Gabriella told Lestat about her dream, she began to touch him inappropriately to the discomfort and sadness of the maid still standing in the room. It was obviously not the first time it had happened as no one in the room reacted in surprise or shock.

A tear rolled down Lestat’s face as he listened intently, but Gabriella removed her hand after she said that in the dream she didn’t belong to anyone and Lestat responded, “Except for me.”

It was then, after coughing once more, that she told him that she was dying and wouldn’t survive the winter. Gabriella immediately left the room, telling the maid to finish what she had started because Lestat had a mob to bless. She ignored him calling after her in distress and devastation.

Lestat Attempts To End His Sexual Relationship With Gabriella

Back in the present, Lestat wakes up calling for his mother. He finds her on the first floor of his tour bus with his band mates still freaking out about him being a vampire. She’d told everyone that her name is Sophia.

Once again, Lestat’s narration attempts to diffuse the situation by his explanation that he knows that he could have called it a wraps with the tour there but they had a thousand fans in Ohio waiting for them and Gabriella had traveled a great distance to comfort him. Knowing that he’s asking a lot of the audience, he acknowledges how patient the listener who bought his music box is being when it comes to the “vampire incest” factor and states that he appreciates it.

But Lestat is aware of the stakes in regards to Gabriella’s presence. He zeroes in on Daniel (Eric Bogosian) introducing himself and asking her who her maker is. She dodges the question by talking about blood, but when everyone but the band gets off the bus, Lestat watches for a moment as Gabriella and Daniel strike up a conversation.

Later, as Lestat and Gabriella are spending time together, Lestat tries to get her to make a pact with him. Her flippantly stating that her maker had called for his mama and turning the fact that she came into a double entendre made him visibly uncomfortable. He wants her to stay, but they have to be companions without sex being a part of the equation.

She says they need a new lie, so they develop a fabricated ‘how we met’ story that becomes flirtatious the more they construct a publicly palatable version of their relationship. Though Gabriella won’t tell Lestat how long she’s staying, she does say that she wants to know what about America has captured her son’s attention for a century.

The rest of their night together is spent hunting. There’s a simmering attraction that Gabriella stokes proving that she can float the line of Lestat’s boundary. She does so by questioning him about his sex life and then comparing physical intimacy to vampires sharing blood. Gabriella knows that nothing compares to the latter for Lestat and she bites him while they wait for their prey to finish with the woman he’s met at a motel.

Noticeably, when the man is on the phone speaking to his wife, Gabriella’s fangs have dropped in anticipation of the kill. Lestat watches her hunger present itself, but he wavers when he hears a little girl on the line call the man Daddy. His focus is immediately pulled to their exchange, but when he looks back at his mother, she is still ready to pounce. He, however, has a moment of uncertainty that she doesn’t notice.

Gabriella Sees Lestat’s Love For Louis

It turns out Gabriella was being honest about her distaste for Lestat’s music. She attends the concert in Toledo, but “Why Do I Have to Feel?” doesn’t move her. Besides begrudgingly standing in the crowd and once covering her ears, she only shows an emotion stronger than annoyance when Lestat slows down time to fly up to Louis’ balcony seat so that he can sing solely to his past love.

The moment was clearly planned by Lestat as the two had seen each other earlier in the day at a meeting mediated by their lawyers Lemuel (Moses Sumney) and Christine (Jeanine Serralle).

Louis perceived Lestat’s songs, as well as the stealing of his physician and hiring of his biographer, as a cry for help from Lestat. And, since Louis cares about him, he used his alias Thomas Pitt to set-up the sit down under the guise of discussing the damage done to his hotel’s hallway when the Fang Gang attacked Lestat at Dracula’s Daughter.

Louis’ arrival after years apart subtly calls back to Interview with the Vampire season 1, episode 6, “Like Angels Put in Hell by God,” when he broke their six year separation after Lestat wrote the song, “Come to Me,” and recorded it with his mistress Antoinette (Maura Grace Athari) providing backing vocals.

Simultaneously incensed by Lestat’s actions and emotionally moved by the sentiment in the song, Louis swam the river to find his ex and reclaim him, not caring at all that they were in Antoinette’s home as she was dismissed and left to overhear their reunion.

Though not angry this go around since it was his biography that caused their split, Louis’ response to Lestat acting out is to show up like Lestat wants even if he does it by re-litigating the past and purposefully riling Lest up about his friends with benefits situation with Lemuel. He sits in the theatre seat Lestat gives him and accepts whatever comes with it.

What Louis gets is a romantic gesture born from hurt and betrayal as Lestat serenades him, expressing that he’d tried to write him the prettiest song in the world but he got distracted. At which point Lestat produces his annotated copy of Interview with the Vampire as evidence of what distracted him and he gives it to Louis before returning to the stage.

Louis’ distracted by the book for the rest of the concert scene as he can see just with a quick glance that it’s filled with Lestat’s commentary on what’s false in the book, his questioning of why Louis would write it, and his words on Claudia (Delainey Hayles). It’s Lestat’s way of showing Louis how much he hurt him without having to talk about it and ensuring Louis understands through the best way he knows how, the written word.

Louis’ Presence Prompts Gabriella’s Disdain

What Louis misses, as does Lestat, is that Gabriella was watching their private moment and she was doing so with a look of contempt. While Louis does clock her looking at him once Lestat is back on stage, he thinks nothing of it. His focus is on the book. He has no idea who she is, but she knows exactly who just stole her son’s attention.

Later, at an Italian restaurant—likely the one suggested by the drunk man Gabriella choked with her mind at a strip club—she asks Lestat what Louis knows about her. She’d snuck a picture of Lestat’s former companion while the two of them were unaware of the world around them.

Assured by her son telling her that Louis believes she’d died in 1794 from consumption just before the tenants killed their family, she shares her summation of Louis. Until now, she’d only known the aftermath of her son’s relationship with him, having seen his cut throat and dilapidated home.

Gabriella backhandedly acknowledges Louis’ beauty and points out his aloof character and elusiveness. She expresses that she understands why Lestat gave him a daughter and then purposefully steps wrong by saying she understands why Lestat took Claudia back.

She provoked the reaction she wanted in her attempt to diminish Louis in Lestat’s eyes. He stops playing the piano for a moment to glare at her and express his irritation. She says she won’t speak on it anymore. In turn, he pokes at her by singing a poem by the French poet Baudalaire. She despises the language, calling it his father’s tongue, but Lestat claims it as his own stating that Italy never made a poet like him.

Gabriella And Lestat Kill The Lioncourts

Lestat’s interpretation of the poem triggers a flashback to the night he turned his mother into a vampire and how well she took to her transformed being. Earlier in the episode, Lestat had said that Gabriella out bantered and out monstered him, but aside from the incest that she’d groomed her son to accept in his humanity, her instigating the slaughter of their family is the most glaring example of the latter “Toledo” depicts.

Gabriella fulfilled the dream that Lestat shared with her after he killed the wolves. But it was just that, a dream. It was not something that he had an actual conviction about. If it were, Lestat would have killed his father, brothers, and sisters-in-law after he turned. Instead, he only chose to do so when it was what his mother wanted.

She gleefully led the attack against them while Lestat joined in. But when they took shelter in a coffin just before sunrise, he was wide awake. Lestat heard the screams of his nieces and nephews as they discovered their grandfather hanging by his intestines and the bloody, broken bodies of their parents.

He didn’t revel in it. The murders brought him no joy as the weight of what he’d done in the name of his love for Gabriella settled over him as she slept peacefully next to him.

In the present, Lestat stares as he’s haunted by the memory and his mother leans against his shoulder just as content as she was over 230 years ago when she laid waste to the men who stole her freedom and the women who were their willing victims.

Lestat takes her cigarette and his narration waxes on about Noah and the ark. How humanity after the great flood was derived from his family and with only eight people to repopulate the world, it only makes sense that incest is a part of every privileged family tree.

Then he gives up entirely on trying to justify what the audience has seen essentially stating that he and Gabriella are vampires and this is not a moral boundary that applies to them. The camera pulls back, giving the audience a final shot of the people they killed in the restaurant and the reckless excess Lestat is prone to when he’s around his mother.

New episodes of The Vampire Lestat air Sundays at 9 p.m. ET on AMC and are available to stream on AMC+. Follow Sabrina Reed on Forbes for weekly coverage of the season and news about the business of TV.