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Twenty years on and we’ve been reunited with the most famous fashion trio to grace our screens. The Devil Wears Prada 2 is more than a nostalgic sequel, on the surface it’s glamour and sequins but scratch beneath the layer and it’s a hardhitting commentary on executive survival today. Released this May, the film captures the nuances of leadership that women, in particular, face in an era of "perpetual pivot.".
The film strips away the cerulean-blue glamour to reveal a raw truth: even the most formidable leaders are currently being hunted by the "sharks" of disruption. The conversation has matured past the 2006 obsession with "having it all", a dialogue that, thankfully, has evolved into a more sophisticated analysis of power dynamics, institutional moats, and the high cost of adaptability.
The film’s brilliance lies in how it maps its protagonists onto two critical axes: Institutional Power (the formal authority and resources of an organization) and Adaptability (the cognitive and emotional flexibility to change course).
High Power | Low Adaptability
Miranda remains the grand dame of Runway, an executive who once towered with a presence that set the industry’s pulse. In the sequel, she is a monarch whose borders are shrinking. While she intellectually understands that the market has shifted, she is emotionally tethered to the "command and control" style that built her empire.
Miranda represents the executive trapped in a ‘moat’ of her own making. For a leader with thirty years of experience, it takes enormous courage for a senior leader to recognise they need to continue learning and strengthen their adaptability. Her increased isolation is a byproduct of her success; she has spent decades being the smartest person in the room, making it nearly impossible to ask for help. She reminds us that high institutional power can become a golden cage, a "Legacy Titan" who risks becoming a relic if they cannot bridge the gap between their experience and the new reality.
Low Power | High Adaptability
Andy famously walked away from a "dream job" to reclaim her narrative. In the sequel, her values are front and center. She has evolved from a naive journalist into a leader who understands her strengths, yet she still possesses the fallibility that makes her relatable.
Her return to Runway in a senior capacity highlights a common corporate friction: the disconnect between formal titleand informal power. Andy has the adaptability to see around corners, but she lacks the deep-seated institutional levers that Miranda commands. Her journey is a "zigzag" path, illustrating that leadership is a work in progress. She shows how being a "Maverick" is exhausting without the right political infrastructure to support your vision. But she also demonstrate political acumen and strategic intent to increase her power with important wins aligned to her boss; being excellent is not enough, being political is equally important.
High Power | High Adaptability
Emily has made the leap from a frantic assistant to a powerful executive with the leverage her former boss now desperately needs. However, she serves as a cautionary tale for those who climb without "Championing" others.
By emulating Miranda’s ruthlessness without the long-term cunning, Emily remains stuck in a "one and done" mantra. She represents the "Icarus" of the corporate world, flying high on ambition and adaptability, but perhaps too close to the sun. She is a stark reminder that while ambition can secure a seat at the table, a lack of collaborative strategy makes that seat precarious.
Every industry has a fourth category: The Relic (Low Power | Low Adaptability). These are the individuals who stubbornly refuse to acknowledge the tidal force of disruption until they are obsolete. The film’s writing is clever enough to keep Miranda out of this quadrant; she is a Titan fighting to stay relevant, which is far more compelling than a leader who has already given up.
NEW YORK, NEW YORK - AUGUST 20: Anne Hathaway (L) and Stanley Tucci are seen filming 'The Devil Wears Prada 2' in Central Park on August 20, 2025 in New York City. (Photo by TheStewartofNY/GC Images)
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Perhaps the most sophisticated plot point is the emergence of a Champion, the ally who advocates for a talented individual within the closed doors of a boardroom. As the co-author of Championing Women Leaders, I was elated to see power play, beautifully demonstrating what it means to be an ally. This wasn’t a simple act of mentorship; it was a high-stakes deployment of political capital. It was elegant, strategic, and filled with integrity, the exact mechanism required to break the stale leadership and catalyse leadership and organisational change. As the story unfolds the pathway is not easy, but demonstrates how championing is not about entitlement, but opening the door for potential to take the opportunity and make it work, a big part of my most recent co-authored book, Take the Lead.
The story reminds us leadership strategy does not automatically fall into place just because you have reached a senior position. The ‘science and art’ of leadership means understanding the behaviours to achieve results while also strengthening agility to adapt to different situations, it’s technical and intuitive that strengthens with vast experience.
In an era of geopolitical instability and rapid technological shifts, your moat is no longer your protection. Whether you identify as a Miranda, an Andy, or an Emily, the lesson is the same: Future-proofing your power requires the humility to unlearn, the courage to adapt, and the wisdom to champion the next generation of leaders before the sharks arrive.
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